What inspired mark twain to write huckleberry finn
The Adventures of Huckleberry Finn by Mark TwainAfter reading Adventures of Huckleberry Finn, I realized that I had absolutely nothing to say about it. And yet here, as you see, I have elected to say it anyway, and at great length.
Reading this novel now, at the age of mumble-mumble, is a bit like arriving at the circus after the tents have been packed, the bearded lady has been depilated, and the funnel cake trailers have been hitched to pick-up trucks and captained, like a formidable vending armada, toward the auburn sunset. All the fun has already been used up, and I’m left behind circumnavigating the islands of elephant dung and getting drunk on Robitussin®. Same story, different day.
How exactly did I make it through eight total years of high school and undergraduate studies in English without having read any Mark Twain but a brief (and forgotten) excerpt from Life on the Mississippi? Isn’t this illegal by now? I mean, isn’t there a clause in the Patriot Act... an eleventh commandment... a dictate from Xenu? Isn’t Huckleberry Finn, like Romeo and Juliet and To Kill a Mockingbird, now an unavoidable teenage road bump between rainbow parties and huffing spray paint? Isn’t it the role of tedious classic literature to add color and texture to the pettiness of an adolescence circumscribed by status updates, muff shaving, and shooting each other? Or am I old-fashioned?
Let’s face it. In the greater social consciousness, there are two stars of this book: (1) the word nigger and (2) the Sherwood Schwartz-style ending in which Tom Sawyer reappears and makes even the most casual reader wonder whether he might not be retarded.
Huckleberry Finn, for all his white trash pedigree, is actually a pretty smart kid -- the kind of dirty-faced boy you see, in his younger years, in a shopping cart at Wal-Mart, being barked at by a monstrously obese mother in wedgied sweatpants and a stalagmite of a father who sweats tobacco juice and thinks the word coloreds is too P.C. Orbiting the cart, filled with generic cigarette cartons, tabloids, and canned meats, are a half-dozen kids, glazed with spittle and howling like Helen Keller over the water pump, but your eyes return to the small, sad boy sitting in the cart. His gaze, imploring, suggestive of a caged intellect, breaks your heart, so you turn and comparison-shop for chewing gum or breath mints. He is condemned to a very dim horizon, and there’s absolutely nothing you can do about it, so you might as well buy some Altoids and forget about it...
That boy is the spiritual descendant of Huckleberry Finn.
The nigger controversy -- is there still one? -- is terribly inconsequential. It almost seems too obvious to point out that this is (a) firstly a period novel, meaning it that occurs at a very specific historical moment at a specific location and (b) secondly a first-person narrative, which is therefore saddled with the language, perspective, and nascent ideologies of its narrator. Should we expect a mostly uneducated, abused adolescent son of a racist alcoholic who is living in the South before the Civil War to have a respectful, intellectually-enlightened perspective toward black people? Should the character of Huck Finn, in other words, be ahistorical, anachronistic? Certainly not, if we expect any semblance of honesty from our national literature.
Far more troubling to many critics is the ending of Huckleberry Finn, when -- by a freakishly literary coincidence -- Huck Finn is mistaken for Tom Sawyer by Tom’s relatives, who happen to be holding Jim (the slave on the run) in hopes of collecting a reward from his owners. There are all sorts of contrivances in this scenario -- the likes of which haven’t been seen since the golden age of Three’s Company -- which ends with Tom arriving and devising a ridiculously elaborate scheme for rescuing Jim.
All in all, the ending didn’t bother me as much as it bothered some essayists I’ve read. That is, it didn’t strike me as especially conspicuous in a novel which relies a great deal on narrative implausibility and coincidence. Sure, Tom Sawyer is something of an idiot, as we discover, but in a novel that includes faked deaths and absurd con jobs, his idiocy seems well-placed.
In the end, I suppose the greatest thing I can say about this novel is that it left me wondering what happened to Huck Finn. Would his intellect and compassion escape from his circumstances or would he become yet another bigoted, abusive father squiring another brood of dirty, doomed children around a fluorescently-lit Wal-Mart?
Chapter 27 - Adventures of Huckleberry Finn by Mark Twain
Mark Twain & the Boyhood that Inspired His Classics
Huckleberry Finn by Mark Twain. When he was 4 years old, the Clemens family moved to Hannibal. This was the place that inspired the little town of St. Petersburg in his books Tom Sawyer and Huckleberry Finn. It was also here that he was introduced to the institution of slavery which is a theme in his books.
He was lauded as the "greatest humorist this country has produced",  and William Faulkner called him "the father of American literature ". He served an apprenticeship with a printer and then worked as a typesetter, contributing articles to the newspaper of his older brother Orion Clemens. He later became a riverboat pilot on the Mississippi River before heading west to join Orion in Nevada. He referred humorously to his lack of success at mining, turning to journalism for the Virginia City Territorial Enterprise. The short story brought international attention and was even translated into French. Twain earned a great deal of money from his writings and lectures, but he invested in ventures that lost most of it—such as the Paige Compositor , a mechanical typesetter that failed because of its complexity and imprecision. He filed for bankruptcy in the wake of these financial setbacks, but he eventually overcame his financial troubles with the help of Henry Huttleston Rogers.
Was Huckleberry Finn based on a real person? Or, did Mark Twain imagine his famous orphan from scratch? There appears to be some discrepancy about whether or not just one person was the inspiration for Huckleberry Finn. Characters are often composites of different people the writer knows or has encountered but occasionally a single person will inspire an author so much that they base a whole character on them. Huck Finn is a character that seems so true to life many readers assume he must be based on a person Twain actually knew.
Huckleberry "Huck" Finn is a fictional character created by Mark Twain who first appeared in the book The Adventures of Tom Sawyer and is the protagonist and narrator of its sequel, Adventures of Huckleberry Finn. He is 12 or 13 years old during the former and a year older "thirteen or fourteen or along there", Chapter 17 at the time of the latter.
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On its surface, Mark Twain's The Adventures of Huckleberry Finn is a straightforward story about a boy and a runaway slave floating down the Mississippi River. But underneath, the book—which was published in the U. It remains one of the most loved, and most banned, books in American history. He wears cast-off adult clothes and sleeps in doorways and empty barrels. Twain once said that Huck is based on Tom Blankenship, a childhood friend whose father, Woodson Blankenship, was a poor drunkard and the likely model for Pap Finn. Huckleberry Finn was written in two short bursts.