About the adventures of huckleberry finn

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about the adventures of huckleberry finn

The Adventures of Huckleberry Finn by Mark Twain

After reading Adventures of Huckleberry Finn, I realized that I had absolutely nothing to say about it. And yet here, as you see, I have elected to say it anyway, and at great length.

Reading this novel now, at the age of mumble-mumble, is a bit like arriving at the circus after the tents have been packed, the bearded lady has been depilated, and the funnel cake trailers have been hitched to pick-up trucks and captained, like a formidable vending armada, toward the auburn sunset. All the fun has already been used up, and I’m left behind circumnavigating the islands of elephant dung and getting drunk on Robitussin®. Same story, different day.

How exactly did I make it through eight total years of high school and undergraduate studies in English without having read any Mark Twain but a brief (and forgotten) excerpt from Life on the Mississippi? Isn’t this illegal by now? I mean, isn’t there a clause in the Patriot Act... an eleventh commandment... a dictate from Xenu? Isn’t Huckleberry Finn, like Romeo and Juliet and To Kill a Mockingbird, now an unavoidable teenage road bump between rainbow parties and huffing spray paint? Isn’t it the role of tedious classic literature to add color and texture to the pettiness of an adolescence circumscribed by status updates, muff shaving, and shooting each other? Or am I old-fashioned?

Let’s face it. In the greater social consciousness, there are two stars of this book: (1) the word nigger and (2) the Sherwood Schwartz-style ending in which Tom Sawyer reappears and makes even the most casual reader wonder whether he might not be retarded.

Huckleberry Finn, for all his white trash pedigree, is actually a pretty smart kid -- the kind of dirty-faced boy you see, in his younger years, in a shopping cart at Wal-Mart, being barked at by a monstrously obese mother in wedgied sweatpants and a stalagmite of a father who sweats tobacco juice and thinks the word coloreds is too P.C. Orbiting the cart, filled with generic cigarette cartons, tabloids, and canned meats, are a half-dozen kids, glazed with spittle and howling like Helen Keller over the water pump, but your eyes return to the small, sad boy sitting in the cart. His gaze, imploring, suggestive of a caged intellect, breaks your heart, so you turn and comparison-shop for chewing gum or breath mints. He is condemned to a very dim horizon, and there’s absolutely nothing you can do about it, so you might as well buy some Altoids and forget about it...

That boy is the spiritual descendant of Huckleberry Finn.

The nigger controversy -- is there still one? -- is terribly inconsequential. It almost seems too obvious to point out that this is (a) firstly a period novel, meaning it that occurs at a very specific historical moment at a specific location and (b) secondly a first-person narrative, which is therefore saddled with the language, perspective, and nascent ideologies of its narrator. Should we expect a mostly uneducated, abused adolescent son of a racist alcoholic who is living in the South before the Civil War to have a respectful, intellectually-enlightened perspective toward black people? Should the character of Huck Finn, in other words, be ahistorical, anachronistic? Certainly not, if we expect any semblance of honesty from our national literature.

Far more troubling to many critics is the ending of Huckleberry Finn, when -- by a freakishly literary coincidence -- Huck Finn is mistaken for Tom Sawyer by Tom’s relatives, who happen to be holding Jim (the slave on the run) in hopes of collecting a reward from his owners. There are all sorts of contrivances in this scenario -- the likes of which haven’t been seen since the golden age of Three’s Company -- which ends with Tom arriving and devising a ridiculously elaborate scheme for rescuing Jim.

All in all, the ending didn’t bother me as much as it bothered some essayists I’ve read. That is, it didn’t strike me as especially conspicuous in a novel which relies a great deal on narrative implausibility and coincidence. Sure, Tom Sawyer is something of an idiot, as we discover, but in a novel that includes faked deaths and absurd con jobs, his idiocy seems well-placed.

In the end, I suppose the greatest thing I can say about this novel is that it left me wondering what happened to Huck Finn. Would his intellect and compassion escape from his circumstances or would he become yet another bigoted, abusive father squiring another brood of dirty, doomed children around a fluorescently-lit Wal-Mart?
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Video SparkNotes: Mark Twain's Adventures of Huckleberry Finn summary

Adventures of Huckleberry Finn

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Mark Twain

Huck was already well known to an American audience thirsting for more of Twain's brand of humor, and Twain hoped to capitalize on his recent literary successes. Despite the end of the Civil War in , it was a tumultuous time for America. Southern Reconstruction had fallen into disarray, and a new racism of segregation and condoned inequality replaced the slavery that had been abolished with the Emancipation Proclamation.

On its surface, Mark Twain's The Adventures of Huckleberry Finn is a straightforward story about a boy and a runaway slave floating down the Mississippi River. But underneath, the book—which was published in the U. It remains one of the most loved, and most banned, books in American history. He wears cast-off adult clothes and sleeps in doorways and empty barrels. Twain once said that Huck is based on Tom Blankenship, a childhood friend whose father, Woodson Blankenship, was a poor drunkard and the likely model for Pap Finn. Huckleberry Finn was written in two short bursts. He stopped working on it for several years to write The Prince and the Pauper and Life on the Mississippi.

Huckleberry "Huck" Finn is a fictional character created by Mark Twain who first appeared in the book The Adventures of Tom Sawyer and is the protagonist and narrator of its sequel, Adventures of Huckleberry Finn. He is 12 or 13 years old during the former and a year older "thirteen or fourteen or along there", Chapter 17 at the time of the latter. Huckleberry "Huck" Finn is the son of the town's vagrant drunkard, "Pap" Finn. Sleeping on doorsteps when the weather is fair, in empty hogsheads during storms, and living off of what he receives from others, Huck lives the life of a destitute vagabond. The author metaphorically names him "the juvenile pariah of the village" and describes Huck as "idle, and lawless, and vulgar, and bad", qualities for which he was admired by all the children in the village, although their mothers "cordially hated and dreaded" him. Huck is an archetypal innocent, able to discover the "right" thing to do despite the prevailing theology and prejudiced mentality of the South of that era. The best example of this is his decision to help Jim escape slavery , even though he believes he will go to Hell for it see Christian views on slavery.

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