What is synecdoche new york about
Synecdoche, New York Quotes by Charlie Kaufman
Being John Malkovich
S ynecdoche, New York, is two movies for the price of one. Written and directed by Charlie Kaufman, who gave us such hallucinogenic treasures as Being John Malkovich and Eternal Sunshine Of The Spotless Mind, it is another rich, mind-frying treasure trove of weirdness. To the New York Times it is "one of the best films of the year".
Classic Film Review: Synecdoche, New York Looked Deep Into the Void of Living
Sign in. Breakout star Erin Moriarty of " The Boys " shouts out her real-life super squad of actors. Watch now. Title: Synecdoche, New York A lovelorn screenwriter becomes desperate as he tries and fails to adapt 'The Orchid Thief' by Susan Orlean for the screen. A puppeteer discovers a portal that leads literally into the head of movie star John Malkovich.
And I want all of us, players and patrons alike, to soak in the communal bath of it—the mikvah , as the Jews call it. This is what I want to try to give people. The money sequence in Being John Malkovich has the famed actor crawling through a portal leading into his own head, which has been rented out like a carnival attraction, the ultimate in vicarious experience. As metaphysical conundrums go, a man entering his own consciousness is a real doozy, which debuting screenwriter Charlie Kaufman and director Spike Jonze present as an echo effect, with multiple Malkoviches chirping his name in a deranged chorus of narcissism. In the screenplays that followed— Human Nature , Adaptation , Eternal Sunshine Of The Spotless Mind , and to some extent Confessions Of A Dangerous Mind —Kaufman continued to explore the contours of the human brain, mining its potential for love, lust, memory, anxiety, creativity, and deterioration. But the difference is right there in the title so many people found baffling. It may not be universally appealing, but its appeal is universal in that it applies to a broad spectrum of feelings and experiences that everyone goes through, not just brainy writers from New York.
It is Kaufman's directorial debut. The plot follows an ailing theater director Hoffman as he works on an increasingly elaborate stage production whose extreme commitment to realism begins to blur the boundaries between fiction and reality. The film's title is a play on Schenectady, New York , where much of the film is set, and the concept of synecdoche , wherein a part of something represents the whole, or vice versa. Sony Pictures Classics acquired the United States distribution rights, paying no money but agreeing to give the film's backers a portion of the revenues. The story and themes of Synecdoche, New York polarized critics: some called it pretentious or "self-indulgent"; multiple others, including Roger Ebert , declared it a masterpiece and later listed it among the best films of the s, with Ebert ranking it 1. Theater director Caden Cotard finds his life unraveling. He suffers from numerous physical ailments and has been growing increasingly alienated from his wife, Adele, an artist.
Synecdoche, New York is a American postmodern drama film written and directed by Charlie Kaufman and starring Philip Seymour Hoffman.
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Charlie Kaufman's directorial debut was a complicated, agonized, profoundly human masterpiece
I watched it the first time and knew it was a great film and that I had not mastered it. The second time because I needed to. The third time because I will want to. It will open to confused audiences and live indefinitely. A lot of people these days don't even go to a movie once.
F or his directorial debut, the screenwriter Charlie Kaufman has outdone himself, for good or ill, with the strangest, saddest movie imaginable, a work suffused with almost evangelical zeal in the service of disillusion. It's a film of mad Beckettian grandeur about the terrible twin truths of existence: life is disappointing and death inescapable. And it supplies a third insight: art is part of life and so doomed to failure in the same way. The film is either a masterpiece or a massively dysfunctional act of self-indulgence and self-laceration. It has brilliance, either way: surreal, utterly distinctive, witty, gloomy in the manner that his fans will recognise and adore, but with a new epic confidence, absorbing the influences of Fellini and Lynch. As with his previous films, Adaptation and The Eternal Sunshine of the Spotless Mind, I had the uneasy feeling that one single idea was being extruded to an excessive length, but this movie's crazy emotional intensity and ambition really punched my lights out on a second viewing.