What is the 1812 overture about
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It's ironic that we play the '1812 Overture' at Fourth of July celebrations
The overture debuted in Moscow on August 20, ,  conducted by Ippolit Al'tani under a tent near the then-unfinished Cathedral of Christ the Saviour , which also memorialized the defence of Russia. The 15 minute overture is best known for its climactic volley of cannon fire, ringing chimes , and brass fanfare finale. It has also become a common accompaniment to fireworks displays on the United States' Independence Day. The Overture is scored for an orchestra that consists of the following: . The carillon is sometimes replaced with tubular bells or recordings of carillons, or even church bells. In the sections that contain cannon shots, actual cannons are sometimes replaced by recorded cannons or played on a piece of staging, usually with a large wooden mallet or sledgehammer as in the Mahler 6th.
When Arthur Fielder led the Boston Pops through the same piece in , during a televised 4 July concert, the Overture was elevated from advertising prop to full-on national anthem, one still performed today to mark American Independence Day. Woody Allen co-opted it for the soundtrack of his screwball comedy, Bananas. Each re-imagining took us further away from the Overture as Tchaikovsky understood it. The success of the Overture told him that the world cared more about theatrical spectacle than the hard fought-for personal expression of his symphonies, concertos and chamber music. The more successful his overture, the more Tchaikovsky became convinced that the world fundamentally misunderstood his art. The piece is drenched in proud nationalist sentiment; Russian folk songs are heard to chase the French national anthem, The Marseillaise , before obliterating it in sound. The populist ante is constantly upped.
The Year Solemn Overture, festival overture in E♭ major, Op. 49, popularly known as the Overture, is a concert overture written in by Russian.
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Oxford Music Online is the gateway offering users the ability to access and cross-search multiple music reference resources in one location. That story was not, of course, the story of the War of , though its title might be misinterpreted that way by American audiences. Despite its traditional performance by US orchestras on Independence Day, the work is unrelated to any British-American conflict. My professor went on to play a recording of and eloquently narrated the entire thing, never pausing, like a foreign-language interpreter. We found a recording of the overture and I claimed I could narrate it just like my professor had done for the class. And I was doing well, for about two minutes—after that there were long stretches of the piece during which I had no idea what Tchaikovsky was trying to describe.