Anselm kiefer metropolitan museum of art
Cognitive Psychology: Theory, Process, and Methodology by Dawn M. McBrideCognitive Psychology is a student-friendly text that introduces cognitive psychologys main topics by demonstrating how cognitive processes have been and continue to be studied by researchers. Employing the lauded pedagogical approach of her best-selling The Process of Research in Psychology, author Dawn M. McBride and co-author J. Cooper Cutting put the focus on the science behind current methods of study. Rich with real-life examples, the books engaging presentation encourages students to see core cognitive psychology topics through the eyes of the researcher.
Anselm Kiefer German. Contemplation of wild or "sublime" landscapes was a hallmark of Romantic-era picture making, and the earth itself served as a powerful symbol of the German nationalistic body and its domain, promoted during the Nazi period under the slogan Blut und Boden Blood and Soil. In this watercolor, however, the earth has been roughly plowed and blanketed with snow, and the spare trees in the background lend a bleakness to the scene. The disembodied head of a woman rises above the field, spotted with blood-red watercolor; this martyr is a personification of the land, now stained by the events of human history. Not on view. Public Domain.
Provocations: Anselm Kiefer at The Met Breuer The Metropolitan Museum of Art, Purchase, Denise and Andrew Saul Fund, ().
something borrowed movie wedding dress
Throughout his nearly fifty-year career, the German artist Anselm Kiefer born has never been afraid to wrestle with the past. In , toward the end of his studies at the State Academy of Fine Arts in Karlsruhe, he photographed himself in his father's Wehrmacht uniform, posing before historic monuments and Romantic seascapes in Europe with his arm extended in an illegal Nazi salute. Six years later, the artist selected eighteen of these images for a photo-essay titled "Occupations," which met with widespread public outcry. Indeed, while Kiefer's artistic provocation ran counter to the intense process of postwar denazification, which included the destruction of offensive monuments and other symbols of Germany's infamous history, it was also a threat to a kind of collective amnesia that had overtaken West Germany in the s and s. In his continuing effort to disinter the past, in the s Kiefer began to reuse old photographs for new projects and also extend his artistic means.